Contemporary art exhibition, Susanne Thiemann, Colours in Motion at. ‘by combining and abstracting visually significant characteristics also of other living forms, the art piece points to the fascination about life as a phenomenon that is difficult to grasp. View Amoeba, 2022 by Susanne Thiemann at Boutwell Schabrowsky in Munich, Germany. ‘the stained glass sculpture is primarily inspired by the idea of a giant floating fluorescent amoeba,’ medicus says. Exhibiting art or skill: 'The furniture is. The form of the sculpture is derived from the cell structure of an amoeba artful synonyms, artful pronunciation, artful translation, English dictionary definition of artful. meticulous ornamentation - from kandinsky-eque patterns to fish-like scales - are abstracted and painted within the colorful frames, lending the project a distinct sense of craftsmanship and character. upon closer inspection, an intricate network of symbols and motifs can be seen inscribed into the glass sheets.
hovering in mid air is a sculptural ‘amoeba’, conceived and fabricated by innsbruck-based artist thomas medicus. derived from the cell structure of an amoeba - an organism with the uncanny ability to alter its shape - the irregularly-formed art object has been meticulously crafted from vibrant panes of semi-opaque glass, provided by local manufacturer tiroler glasmalerei.Ī strange and surreal sight subtly glows in the depth of the woodsĪt a distance, the asymmetrical entity is visible as a prismatic and otherworldly creature within its context. In the shadowy darkness of a densely vegetated landscape, a strange and surreal sight subtly glows in the depth of the woods. Thomas medicus sets surreal stained glass amoeba sculpture in the woods
If you ever want to reach out to chat or ask a question, make a request, or give me an idea, you can reach me at or on Twitter. Who do I want in this community? Anyone who is interested in a humorous, vivid take on the planet’s abundant, unsung life is welcome here. Finally, unlike the last incarnation of TAA, I plan to capitalize on the Substack format to link to others’ work I think may be of interest to readers here (so you can go read it), and also to give you my two cents. flowarts acrylicflow lacingHappy New Year Thought I'd do a new piece All colors are custom mixedMy recipe can be found in my last video. As of July 5, 2011, this blog moved the bulk of its activity to Scientific American. Showcase your favorite piece in any room using 9 easy to hang, mosaic-like. I have also found there is a dearth of media outlets that publish columns or essays like mine, and Substack seeems like a good place to fill that void. Shop amoeba wood wall art featuring unique designs from independent artists. Why relaunch? Because there are still so many other wonderful, funny, interesting and/or overlooked short biology stories to write about, and I want to continue sharing my take on them with you.
The artful amoeba free#
Since that consumes a fair amout of time, work here will be irregular for a while, and this Substack will be free for the time being.
The old Artful Amoeba blog at Scientific American (2011-2020)Īnd I have more news: I am working on my first book. My post-blog essays for the Opinion section at SA. My most recent print publication in Scientific American magazine on bacteria that are effectively immortal, and its 15 seconds of fame on “The Late Show with Stephen Colbert”. My most recent opinion piece for Scientific American, published in September, on the crazy world of bacterial predators. My two guest appearances on RadioLab, From Tree to Shining Tree and Smarty Plants. Here are some highlights of my past and most recent work: When I’m doing it right, my work combines wonder and humor in equal measure. For those of you who are new to my work, think of it as a Mary Roach-style approach to natural history, biodiversity and biology, particularly of things without fur, feathers, skin, or scales. Now I’m bringing The Artful Amoeba back on Substack. Then, in early June 2020, the SA blog network closed. I am still grateful to all editors past and present at SA for the opportunity. Tons of carbon get sucked out of the air (and ocean) to feed and grow even one whale, so each one is a blubbery, singing carbon sink. In 2011, I lucked into my dream job at Scientific American, writing humorous and wondrous takes on Earth’s obscure or overlooked life.
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